I woke up feeling energized after a long sleep. I think the beers helped me get a deep rest, and this morning was even warmer than yesterday. As usual, I grabbed some breakfast and met up with a few friends before heading to the Main Stage.
The final day of PartySan 2024 kicked off with the opening band, Ulthar, a US extreme metal trio. It was a bit confusing since today there are two bands with almost identical names—Ulthar and Ultha, one with an “R” and one without. I’m not too familiar with Ulthar, as I’ve only listened to a few of their studio tracks. Their sound has a mix ofBlack, Death, and Thrash metal—dark, fast, and unforgiving. The riffs rolled out alongside the pounding drums, making for a solid warm-up. Although there were still some gaps in the crowd, their energy was high, and the headbanging was intense. The audience cheered and clapped after each song, making it a great performance for such an early set.
Regarde les Hommes Tomber made their PartySan debut, and although their performance was solid, I wish they had attracted a bigger crowd. The audience was a bit sparse, which was disappointing, especially since the Germans had to deal with the “black metal in full sunlight” situation.
Next up was Necrot, a California-based death metal trio. I had seen them perform the previous week at another festival. They bring a raw, filthy, old-school death metal sound—no unnecessary frills. The snare drums rattled with reverb, the guitars shredded, and the bass rumbled intensely. Luca Indria’s passionate growls and grunts added to the atmosphere, and when he asked stage security to do a diva move during “Drill The Skull,” the crowd responded eagerly. Anotherawesome performance that left me excited to see them again.
Ultha, the band without the “R,” faced some technical issues during their set. The vocals were barely audible for much of the performance, which was a shame, as those high-pitched vocals are part of what makes Ultha stand out. The sound improved later on, but it wasn’t their strongest show.
After that, it was time for some black and death metal from Poland with Hate, a band I’d been eagerly waiting to see live for the first time. I’ve followed them for years, and their music always feels like a form of therapy. Seeing them live took that feeling to a whole new level. Despite the harsh sunlight, their powerful, aggressive sound and Adam The First Sinner’s dark, raspy vocals created a perfect atmosphere. The set alternated between fast, intense passages and more solemn, ethereal moments, particularly during “Crusade: Zero,” where fire bowls were lit in dramatic fashion. After over thirty years, their professionalism and intensity were unmistakable.
Unto Others, a U.S. Gothic metal/rock band, has generated quite a bit of hype since their inception as “Idle Hands.” Personally, I’ve had a hard time getting into their sound, especially their monotonous vocals, but I was curious to see if their PartySan performance would change my mind. Unfortunately, it didn’t. The vocals were even harder to enjoy during this set, with several missed notes. The guitarist and drummer also made a few mistakes. This performance justdidn’t do it for me.
Next up was Sulphur Aeon, the masters of Cthulhu death metal, returning for their second time at PSOA since 2016. Their epic material, including tracks from their latest album Seven Crowns and Seven Seals, was another highlight of the day.
As evening approached, Obscura took to the Main Stage, performing in the beautiful setting of the late afternoon sun. Sadly, the crowd seemed a bit thinner compared to Sulphur Aeon’s set. Nonetheless, the band delivered a stunning performance of progressive death metal, with six extended tracks showcasing their brilliant melodies and technical mastery. ‘The Anticosmic Overload’ and ‘Septuagint’ were particular standouts, and ‘Incarnated,’ dedicated to Chuck Schuldiner, closed out their set in fine form. My only complaint was that the audience’s response felt underwhelming given the high caliber of the performance.
Over at the Tent Stage, the death metal onslaught continued with Disentomb, an Australian band that I was unfamiliar with before. Their low-tuned guitar riffs and brutal drumming, coupled with guttural vocals, made for a heavy, intense experience that was perfect for the tent stage.
Dutch death-thrash legends Legion of the Damned unleashed their trademark ferocity upon the Main Stage. They commenced with their iconic anthem “Legion of the Damned” and stormed through an extensive setlist drawn from albums such as Cult of the Dead, Doom Priest, and Son of the Jackal. Their performance was a tempest of unrelenting intensity, reaffirming their formidable status as a dominant force in the realm of metal.
Anaal Nathrakh, a UK-based ensemble renowned for their tumultuous amalgamation of grindcore, black metal, and industrial, consistently orchestrates an indelible experience. Their incendiary performance ignited the crowd, exemplifying their prowess in crafting an unforgettable spectacle with every show
Next up on the Main Stage was Paradise Lost, the legendary British gothic doom pioneers. Their set featured timeless tracks like “Pity the Sadness” and an unexpected cover of “Smalltown Boy,” highlighting their skill and Nick Holmes’ upbeat energy. While it was a strong performance, it may not have been as intense as some of the others.
To wrap up the night, Sodom, the legendary German thrash pioneer, took the stage as one of the few bands that not only helped define an entire genre but continue to remain relevant today. Their performance was filled with timeless hits like “Blasphemer,” “Napalm in the Morning,” and “Ausgebombt,” and the audience was fully immersed, singing and headbanging along with Tom Angelripper. Witnessing thousands of fans rocking out together in perfect unison was truly unforgettable. These veterans show that age is just a number, with a stage presence that makes even the younger crowd seem like rookies.
PartySan Open Air 2024 was an electrifying journey through every extreme of metal. From stunning rainbows to relentless sonic brutality, it had something for everyone. The mix of iconic bands, hidden underground gems, and the unmatched festival atmosphere made this weekend an unforgettable experience—a true milestone in the history of extreme metal. See you next year!
The morning sun gently wakes me up, casting a warm glow over everything. Outside, a lot of peoplealready doing activities for the second day of PartySan. I decided to keep things simple for now—just a quick breakfast to fuel up and get some energy before the party starts.
On Friday, early in the midday, Goregrind, a Brutal Death Metal opener band, took the stage—it’s a PartySan tradition. Then came Stillbirth, a Brutal Death Metal/Grindcore band from Germany. Five Beach Boys in neon Hawaiian shirts seemed ready to kick off the morning party. The venue was packed with an energetic crowd, many dressed in colorful and eccentric costumes, all set for the festivities. The midday sun, while rarely shining on quirky toilet brushes or overly embarrassing outfits, still brought a lot of heat, which matched perfectly with the energy on stage. The band from Hagen stormed across the stage in their swim trunks, surrounded by surfboards, showing no signs of slowing down. Their infectious energy spread quickly to the tech death fans, sparking wild running and plenty of knee-bouncing. It was the perfect start to the day.
Continued with The Melodic Death Metal from North Rhine-Westphalia, Germany Obscurity. They offer melodic Viking stuff somewhere between death and black metal. And with German lyrics. There are now more fewer people in front of the stage than before. Greatsoundgreat live performance for early midday.
Enthroned, Enthroned, the Belgian black metal band, delivered a retrospective. The sun continues to darken over Schlotheim, and even though the corpse paint isn’t fully visible in the early afternoon, the Belgians bring an icy cold with them. Their stage presence is captivating, and singer Nornagest inparticular guides those present “gracefully” through a predominantly modern set, while not shying away from delving into the early days of the band with a song like “Rites of the Northern Fullmoon,” a track from a time when none of the current musicians were yet in the group. All in all, it was a very intense concert that impressively brought the brutal yet quite playful music of the band into the present.
Afsky brought a certain depth to the set with their melancholic, atmospheric black metal, causing goosebumps moments, while the dark clouds over the grounds continued to gather. After that, things turned more classical: Sacramentum unleashed their clashing melodies that echoed the second wave of black metal. Bewitched (SE) then hit with a wild mix of thrash, black, and heavy metal, delivering a show full of attitude and pure energy.
Sacramentum! Another semi-legendary name from the incredible Swedish mid-’90s Black/Death Metal scene that gave us so many fantastic bands! These veterans have released at least two classic albums, Far Away from the Sun and The Coming of Chaos, both of which were featured in their set. The sound was spot on, though the over-the-top stage antics of frontman Nisse raised a few eyebrows.
Bewitched, Black’n’Roll from Sweden. There is no other corpse paint, however. Musically, it sounds about as I had imagined. Well-made old-school thrash with a certain Venom influence would fit perfectly on a tour with Desaster. The band also seems pretty likable. Frontman Vargher is happy to finally be able to play at PartySan Open Air again after 17 years. The road to this was rocky, however, as all of their luggage, including instruments, was lost by the airlineandtoday’s gig is being played with equipment borrowed from fellow countrymen Sacramentum. At least the black thrashers in attendance appreciate the persistent show and veritable mosh cells develop. A bit of sparks here, a few flames there and the stage set is already in the mood for an evening of really big show elements.
Now it’s time for a good portion of slam with Kraanium. To be honest, I was pretty surprised that Kraanium got such a late start. The space in front of the stage is still pretty empty at the beginning. But after the frontman asks people to come a little closer to the stage. The sound is also rather suboptimal at the very beginning. The microphone is generally too quiet and when there is a brief dropout during the first song, only the drums can be heard for a moment. Fortunately, the mixer adjusted to slam relatively quickly, so it soon sounds a lot better. The atmosphere also has some teething problems, but a larger pit quickly forms in the middle. Their intense, straight music entices even the lazy to nod their heads and do circle pits. Live singer Philipp Heckel, with his NAGLFAR shirt, does not fit in visually with the otherwise almost illegible logos on the shirts of his bandmates, but he cuts a very good figure on stage and gurgles. “Massive Piles Of Festering Remains” in the familiar guttural style. Great performance.
Incantation. Nasty, groovy riffs shake the Obermehler airfield. A grunting gnaws into your ear that only death metal bassist John McEntee can manage. It’s no surprise that dark clouds collide and the main stage is underwater in no time. In the end-time scenario that fits perfectly with the Incantation blasphemous death metal.Meanwhile, the last remaining spectators enjoy mosh pits, dances, and a water fight. But let’s not forget the rainbow of death, which is currently stretching across the Party.San in doubly evil splendor. It’s cute how the hard-boiled people suddenly let their romantic streak show. The glowing natural phenomenon is certainly the most photographed motif today and the secret (rock) star of the evening. If only we knew what really lurks at the end of the dazzlingly colorful spectral arcs …
There were years of court proceedings, but now the legal dispute over the name Batushka is over – and with it one of the most ridiculous stories in extreme metal. No matter, now, Batushka is on stage. Behind the mask: Krzysztof Drabikowski and his ensemble. In total, we count eight people standing between pictures, clothes, candles, and a coffin placed in the middle. The backdrop with trees and a church creates a nice visual depth that works, especially in red and orange light. The ceremonial prelude is already strong, even if twilight or darkness would support the mood. At least the rainbows have faded away, the unicorn atmosphere does not hinder the occult sounds. Maybe we can put the arguments aside and appreciate what is happening musically. Because the performance is convincing in its entirety from the stage design to the clear vocals. They were, very different from all other bands. Black Metal with orthodox liturgical lyrics reigned the stage. The show was a real gem and a kind of Black Metal Musical. Great indeed.
Sólstafir,The Icelandic Psychedelic Alternative Metalist delivered a great show with an emotional, atmospheric performance, a brilliant web of sound that lets you dream away into landscapes of ancient countries,
Behemoth, 9 years since their last PSOA performance the Polish Black Death Metal giants finally returned! In perfect sound with great light- and, of course, a fire effect show followed by a mystical Intro behind a white curtain, Nergal and crew blasted out classics like „Conquer All“, „Demigod“ or „Chant for Eschaton 2000“ as well as some new material from their 2022 opus „Opvs Contra Natvram“. A worthy Headliner on this Friday.
The second day of PartySan Open Air was flying by, with many amazing bands performing on both the Main and Tent stages. Heading back to the camping ground to rest and save energy for tomorrow
After a long year of anticipation, we’ve finally returned to Schlotheim, Obermehler Airfield. It feels like coming back home, and it’s even better than we remembered. This year’s lineup is packed with even more Black Metal acts than last year, promising a heavier experience right from the start.
The journey to PartySan was smooth, taking about five hours with no delays or traffic jams. Once we arrived at the PartySan camping ground, everything looked exactly the same as last year—no surprises there. We picked up our press passes and set up our campsite without a hitch, avoiding long queues, which was a nice touch. PartySan typically attracts around 9,000 to 10,000 metalheads, but since the airfield is so spacious, there’s no feeling of overcrowding, making it a comfortable festival experience. Each year, the number of visitors steadily grows, and it’s exciting to see the event’s popularity continue to rise.
After pitching our tent, we headed straight for the Stage ground, where we met up with some friends. We cracked open our first beer of the weekend, soaking in the familiar atmosphere of excitement. As usual, the energy was high, and the crowd was buzzing with anticipation for the opening band.
Then, just like every year, the moment arrived: two loud cannon shots echoed across the airfield, signaling the official start of the party. Everyone cheered, and the festival kicked off in full force. The air was thick with excitement, and the atmosphere was electric, setting the stage for an unforgettable weekend ahead.
Swedish death metal band Bastard Grave opened the night with a stellar performance that blended old-school death metal with a touch of doom, filled moments caught the audience’s attention right away. The crowd, which filled the venue even at an early hour, was thoroughly engaged from the moment the band hit the stage. Their performance was a perfect start. The energetic and tight set left a lasting impression.
Sinisterhit the main stage next, bringing their Dutch Death Metal energy to replace Broken Hope, who had to cancel. I had seen them just last week at Dortmund Deathfest, and they didn’t disappoint. The performance was solid—heavy, fast, and tight—but something was missing. After a while, it felt like the same thing over and over. I enjoy the aggression, but I would’ve liked a bit more variety in their set. The crowd seemed to feel the same way. As the show went on, more and more people left the front of the stage. Part of that might have been due to the small stage under the tent, where the first band of the year was about to kick off. But still, Sinister’s performance didn’t seem to grab everyone the way it should have. It was their first time playing PartySan Open Air in 22 years, and while they gave it their all, I couldn’t shake the feeling that they needed a bit more. A second guitarist could have added more depth to the sound and kept the energy up. The performance was good, but it didn’t quite blow me away.
The sun was setting on the open-air festival, and after two crushing sets of Death Metal, the crowd was ready for a change.Eternal Champion from Texas took the stage, bringing a classic Heavy Metal sound that cut through the atmosphere. Jason Tarpey commanded the stage, blending his powerful voice with some signature stage antics, barking and shouting with intensity. Although I’ve always admired Brendan Radigan from Summerlands for his vocal chops, there was no denying that Tarpey’s charisma and energy won the night. The vibe was infectious—people were rocking out from the front to the very back, making it clear that Eternal Champion had absolutely delivered.
Quickly move to Tant Stage cutching the Old Schooll Death Metal Wilt, come from North Rhine-Westphalia, Germany, and play slightly doomy death metal in the footsteps of Bolt Thrower or Asyphyx. Singer and bassist Matze impresses with ultra-deep growls, which you can hear. The rest is unfortunately a bit of a mess. The bass is much too loud and the guitar is almost inaudible. It also sounds a bit like there are some noises running through the system underneath the actual music. It’s a real shame because what I can hear from the sound mush doesn’t actually sound bad at all. But since even changing locations several times doesn’t really improve things, I move back to the main stage after 20 minutes. It’s a shame, I can imagine that the trio could have convinced me a little more with better sound.
Vltimas, the bold multinational ensemble, delivers an awe-inspiring fusion of Nordic Death Metal enriched by the iconic growls of David Vincent, best known as the frontman of Morbid Angel. Their sound fuses the primal essence of death metal with intricate, atmospheric arrangements, creating a listening experience that is as musically technical as it is emotionally intense. Their work doesn’t just reside in the music alone; their live performances bring something visually striking to the table, adding an unforgettable theatrical flair to their already captivating sonic presence. Each show is a meticulous balance of energy, passion, and visual storytelling that pulls the audience deeper into the band’s dark world.
After a 17-year hiatus, Sadus, North America’s thrash metal titans, exploded back onto the scene with a vengeance. With no signs of slowing down, the band not only picked up where they left off but accelerated to even greater heights. Their technical prowess, combined with their lightning-fast riffs, took the crowd by storm, leaving a trail of chaos in their wake. The performance was a testament to their relentless drive and dedication. Their set was a finely-tuned machine of speed and precision, each song executed flawlessly. From the opening note, the crowd was swept into an uncontrollable frenzy. Mosh pits erupted throughout the venue, fueled by the raw energy of the band’s high-speed thrash anthems.
The Black Dahlia Murder, hailing from Detroit Rock City, closed out the afternoon with an electrifying performance of Melodic Death Metal, leaving the crowd in awe. It was incredibly moving to witness the band still delivering at such a high level, especially following the heartbreaking loss of their iconic frontman and mastermind, Trevor Strnad, in 2022. His absence hung heavy, yet the band’s dedication to carrying forward his legacy was evident, with each note resonating with passion and respect. The energy and skill on stage were a testament to the enduring spirit of their music, solidifying their place as one of the genre’s most revered acts.
As the night stretched on, a palpable energy filled the air, promising an unforgettable evening. Left To Dieopened the floodgates of destruction with their brutal homage to death metal’s most iconic sounds. As the first chords ripped through the speakers, the crowd erupted, their heads bobbing and fists pumping to the thunderous riffs. With every song, the band’s intensity seemed to grow, their high-energy performance filling the venue with pure aggression. The guttural vocals and relentless rhythm section were a perfect tribute to death metal’s roots, and it didn’t take long before the pit became a swirling vortex of body-slams and moshing chaos. The night had truly begun.
But it was only the beginning. Darkened Nocturn Slaughterculttook the stage next, and with them, a shift in atmosphere as chilling as a midnight breeze. The first notes of their black metal ritual were slow and haunting, deliberately building tension. As the fog crept across the stage, the crowd was drawn into a trance-like state, where every chord seemed to reverberate in the chest, and the cold, tremolo-picked melodies wrapped around them like a dark cloak. The drums, fast and relentless, gave a heartbeat to the sinister atmosphere, while the shrill, biting vocals of the frontwoman sent a shiver through the spine of every listener. Heads banged in a synchrony as the audience was enveloped in the icy grip of black metal. The ritual was complete when the last, echoing note faded into a chilling silence. The crowd, almost in a daze, stood in reverence.
Then, with the clock ticking closer to chaos, Terrorizer tore through the night like a furious storm. The grindcore legends came on with no preamble, launching immediately into a brutal, breakneck pace. The intensity was unrelenting, and the crowd, no longer just a sea of people but a thrashing, writhing mass, responded in kind. The relentless barrage of blast beats and ferocious guitar riffs created a sonic whirlwind, pushing every listener to their limits. Bodies collided in the pit as crowd-surfers flew overhead, all swept up in the chaos of pure, unfiltered aggression. There was no respite in their set, only an unforgiving wall of noise that seemed to consume everything in its path. The energy felt almost destructive, as if the very floor beneath them might buckle under the weight of it all. Terrorizerwasn’t here to entertain—they were here to incite a riot, and the crowd gladly obliged.
But even in the heart of this madness, there was still one act left to leave the crowd breathless. As midnight approached,Abbath took the stage, bringing with him a spectacle that transcended just music. The fog rolled in thick, obscuring the stage in an eerie haze, and then the flames erupted—blazing, towering, casting shadows on the darkened crowd. Abbath himself appeared as a towering figure, his face painted and his presence magnetic, commanding attention without saying a word. His black metal symphony unfolded with grandiosity—epic, atmospheric, and intense. His signature growls and soaring melodies intertwined in an almost operatic fashion, rising above the fire and smoke to envelop the venue in a mighty sonic wave. With every riff, the flames grew higher, and the crowd became even more entranced. It was a perfect storm of sound, spectacle, and stagecraft, a true culmination of the night’s offerings. The energy reached its peak as Abbath led them into a final, thunderous crescendo—an unforgettable moment that left the crowd in awe.
As the last embers of fire burned out and the final notes of Abbath’s set echoed through the venue, the audience stood in stunned silence, caught in the aftershock of the evening. The first day had come to an end, and it was clear: this was a night to remember, an evening where metal legends met in a furious, thrilling display of sound and fury.
It was the first day at PartySan, and amazing bands played all day long. From the moment the music started. I spent the rest of the evening relaxing with friends at the camp ground, enjoying the great company and the festive vibe. The night was filled with laughter and good times before I finally hit the bed, exhausted but happy from an unforgettable day.