We’re still basking in the memories of last year’s PartySan Open Air, and the excitement for this year is already kicking in! If you’re craving top-tier metal, the PartySan Festival is an event you can’t afford to miss. From August 7th to 9th, 2025, the airfield in Schlotheim will once more become the beating heart of the metal scene. PartySan Open Air is back, drawing metalheads from around the globe for three days of legendary performances, relentless headbanging, and an atmosphere unlike any other.
This year PartySan Open Air brings back some great bands like Suffocation, Bloodbath, Napalm Death, Brujeria, Rotting Christ.
.SO FAR THE LINEUP OF PARTY.SAN 2025
Agrypnie | Analepsy | And Oceans | Avulsed | Blockheads | Brujeria | Bloodbath | Chaos Invocation | Dark Angel | Defleshed | Dödsrit | Dool | Drudensang | Ereb Altor | Extermination Dismemberment | Friisk | Fulci| Gorgoroth | Grand Magus | Grave | Gutslit | Hellbutcher | Hyperdontia | I Am Morbid | Imperial Triumphant| Kvaen | Mass Worship | Napalm Death | Naxen | Necrowretch | Nightbearer | Party Cannon | Perchta | Pig Destroyer | Rotpit |Suffocation | Rotting Christ | Schizophrenia | Skeletal Remains | The Spirit | Tiamat | Triptykon plays Celtic Frost | The Vision Bleak | Wayfarer| Napalm Death | Brujeria |
I woke up feeling energized after a long sleep. I think the beers helped me get a deep rest, and this morning was even warmer than yesterday. As usual, I grabbed some breakfast and met up with a few friends before heading to the Main Stage.
The final day of PartySan 2024 kicked off with the opening band, Ulthar, a US extreme metal trio. It was a bit confusing since today there are two bands with almost identical names—Ulthar and Ultha, one with an “R” and one without. I’m not too familiar with Ulthar, as I’ve only listened to a few of their studio tracks. Their sound has a mix ofBlack, Death, and Thrash metal—dark, fast, and unforgiving. The riffs rolled out alongside the pounding drums, making for a solid warm-up. Although there were still some gaps in the crowd, their energy was high, and the headbanging was intense. The audience cheered and clapped after each song, making it a great performance for such an early set.
Regarde les Hommes Tomber made their PartySan debut, and although their performance was solid, I wish they had attracted a bigger crowd. The audience was a bit sparse, which was disappointing, especially since the Germans had to deal with the “black metal in full sunlight” situation.
Next up was Necrot, a California-based death metal trio. I had seen them perform the previous week at another festival. They bring a raw, filthy, old-school death metal sound—no unnecessary frills. The snare drums rattled with reverb, the guitars shredded, and the bass rumbled intensely. Luca Indria’s passionate growls and grunts added to the atmosphere, and when he asked stage security to do a diva move during “Drill The Skull,” the crowd responded eagerly. Anotherawesome performance that left me excited to see them again.
Ultha, the band without the “R,” faced some technical issues during their set. The vocals were barely audible for much of the performance, which was a shame, as those high-pitched vocals are part of what makes Ultha stand out. The sound improved later on, but it wasn’t their strongest show.
After that, it was time for some black and death metal from Poland with Hate, a band I’d been eagerly waiting to see live for the first time. I’ve followed them for years, and their music always feels like a form of therapy. Seeing them live took that feeling to a whole new level. Despite the harsh sunlight, their powerful, aggressive sound and Adam The First Sinner’s dark, raspy vocals created a perfect atmosphere. The set alternated between fast, intense passages and more solemn, ethereal moments, particularly during “Crusade: Zero,” where fire bowls were lit in dramatic fashion. After over thirty years, their professionalism and intensity were unmistakable.
Unto Others, a U.S. Gothic metal/rock band, has generated quite a bit of hype since their inception as “Idle Hands.” Personally, I’ve had a hard time getting into their sound, especially their monotonous vocals, but I was curious to see if their PartySan performance would change my mind. Unfortunately, it didn’t. The vocals were even harder to enjoy during this set, with several missed notes. The guitarist and drummer also made a few mistakes. This performance justdidn’t do it for me.
Next up was Sulphur Aeon, the masters of Cthulhu death metal, returning for their second time at PSOA since 2016. Their epic material, including tracks from their latest album Seven Crowns and Seven Seals, was another highlight of the day.
As evening approached, Obscura took to the Main Stage, performing in the beautiful setting of the late afternoon sun. Sadly, the crowd seemed a bit thinner compared to Sulphur Aeon’s set. Nonetheless, the band delivered a stunning performance of progressive death metal, with six extended tracks showcasing their brilliant melodies and technical mastery. ‘The Anticosmic Overload’ and ‘Septuagint’ were particular standouts, and ‘Incarnated,’ dedicated to Chuck Schuldiner, closed out their set in fine form. My only complaint was that the audience’s response felt underwhelming given the high caliber of the performance.
Over at the Tent Stage, the death metal onslaught continued with Disentomb, an Australian band that I was unfamiliar with before. Their low-tuned guitar riffs and brutal drumming, coupled with guttural vocals, made for a heavy, intense experience that was perfect for the tent stage.
Dutch death-thrash legends Legion of the Damned unleashed their trademark ferocity upon the Main Stage. They commenced with their iconic anthem “Legion of the Damned” and stormed through an extensive setlist drawn from albums such as Cult of the Dead, Doom Priest, and Son of the Jackal. Their performance was a tempest of unrelenting intensity, reaffirming their formidable status as a dominant force in the realm of metal.
Anaal Nathrakh, a UK-based ensemble renowned for their tumultuous amalgamation of grindcore, black metal, and industrial, consistently orchestrates an indelible experience. Their incendiary performance ignited the crowd, exemplifying their prowess in crafting an unforgettable spectacle with every show
Next up on the Main Stage was Paradise Lost, the legendary British gothic doom pioneers. Their set featured timeless tracks like “Pity the Sadness” and an unexpected cover of “Smalltown Boy,” highlighting their skill and Nick Holmes’ upbeat energy. While it was a strong performance, it may not have been as intense as some of the others.
To wrap up the night, Sodom, the legendary German thrash pioneer, took the stage as one of the few bands that not only helped define an entire genre but continue to remain relevant today. Their performance was filled with timeless hits like “Blasphemer,” “Napalm in the Morning,” and “Ausgebombt,” and the audience was fully immersed, singing and headbanging along with Tom Angelripper. Witnessing thousands of fans rocking out together in perfect unison was truly unforgettable. These veterans show that age is just a number, with a stage presence that makes even the younger crowd seem like rookies.
PartySan Open Air 2024 was an electrifying journey through every extreme of metal. From stunning rainbows to relentless sonic brutality, it had something for everyone. The mix of iconic bands, hidden underground gems, and the unmatched festival atmosphere made this weekend an unforgettable experience—a true milestone in the history of extreme metal. See you next year!
The morning sun gently wakes me up, casting a warm glow over everything. Outside, a lot of peoplealready doing activities for the second day of PartySan. I decided to keep things simple for now—just a quick breakfast to fuel up and get some energy before the party starts.
On Friday, early in the midday, Goregrind, a Brutal Death Metal opener band, took the stage—it’s a PartySan tradition. Then came Stillbirth, a Brutal Death Metal/Grindcore band from Germany. Five Beach Boys in neon Hawaiian shirts seemed ready to kick off the morning party. The venue was packed with an energetic crowd, many dressed in colorful and eccentric costumes, all set for the festivities. The midday sun, while rarely shining on quirky toilet brushes or overly embarrassing outfits, still brought a lot of heat, which matched perfectly with the energy on stage. The band from Hagen stormed across the stage in their swim trunks, surrounded by surfboards, showing no signs of slowing down. Their infectious energy spread quickly to the tech death fans, sparking wild running and plenty of knee-bouncing. It was the perfect start to the day.
Continued with The Melodic Death Metal from North Rhine-Westphalia, Germany Obscurity. They offer melodic Viking stuff somewhere between death and black metal. And with German lyrics. There are now more fewer people in front of the stage than before. Greatsoundgreat live performance for early midday.
Enthroned, Enthroned, the Belgian black metal band, delivered a retrospective. The sun continues to darken over Schlotheim, and even though the corpse paint isn’t fully visible in the early afternoon, the Belgians bring an icy cold with them. Their stage presence is captivating, and singer Nornagest inparticular guides those present “gracefully” through a predominantly modern set, while not shying away from delving into the early days of the band with a song like “Rites of the Northern Fullmoon,” a track from a time when none of the current musicians were yet in the group. All in all, it was a very intense concert that impressively brought the brutal yet quite playful music of the band into the present.
Afsky brought a certain depth to the set with their melancholic, atmospheric black metal, causing goosebumps moments, while the dark clouds over the grounds continued to gather. After that, things turned more classical: Sacramentum unleashed their clashing melodies that echoed the second wave of black metal. Bewitched (SE) then hit with a wild mix of thrash, black, and heavy metal, delivering a show full of attitude and pure energy.
Sacramentum! Another semi-legendary name from the incredible Swedish mid-’90s Black/Death Metal scene that gave us so many fantastic bands! These veterans have released at least two classic albums, Far Away from the Sun and The Coming of Chaos, both of which were featured in their set. The sound was spot on, though the over-the-top stage antics of frontman Nisse raised a few eyebrows.
Bewitched, Black’n’Roll from Sweden. There is no other corpse paint, however. Musically, it sounds about as I had imagined. Well-made old-school thrash with a certain Venom influence would fit perfectly on a tour with Desaster. The band also seems pretty likable. Frontman Vargher is happy to finally be able to play at PartySan Open Air again after 17 years. The road to this was rocky, however, as all of their luggage, including instruments, was lost by the airlineandtoday’s gig is being played with equipment borrowed from fellow countrymen Sacramentum. At least the black thrashers in attendance appreciate the persistent show and veritable mosh cells develop. A bit of sparks here, a few flames there and the stage set is already in the mood for an evening of really big show elements.
Now it’s time for a good portion of slam with Kraanium. To be honest, I was pretty surprised that Kraanium got such a late start. The space in front of the stage is still pretty empty at the beginning. But after the frontman asks people to come a little closer to the stage. The sound is also rather suboptimal at the very beginning. The microphone is generally too quiet and when there is a brief dropout during the first song, only the drums can be heard for a moment. Fortunately, the mixer adjusted to slam relatively quickly, so it soon sounds a lot better. The atmosphere also has some teething problems, but a larger pit quickly forms in the middle. Their intense, straight music entices even the lazy to nod their heads and do circle pits. Live singer Philipp Heckel, with his NAGLFAR shirt, does not fit in visually with the otherwise almost illegible logos on the shirts of his bandmates, but he cuts a very good figure on stage and gurgles. “Massive Piles Of Festering Remains” in the familiar guttural style. Great performance.
Incantation. Nasty, groovy riffs shake the Obermehler airfield. A grunting gnaws into your ear that only death metal bassist John McEntee can manage. It’s no surprise that dark clouds collide and the main stage is underwater in no time. In the end-time scenario that fits perfectly with the Incantation blasphemous death metal.Meanwhile, the last remaining spectators enjoy mosh pits, dances, and a water fight. But let’s not forget the rainbow of death, which is currently stretching across the Party.San in doubly evil splendor. It’s cute how the hard-boiled people suddenly let their romantic streak show. The glowing natural phenomenon is certainly the most photographed motif today and the secret (rock) star of the evening. If only we knew what really lurks at the end of the dazzlingly colorful spectral arcs …
There were years of court proceedings, but now the legal dispute over the name Batushka is over – and with it one of the most ridiculous stories in extreme metal. No matter, now, Batushka is on stage. Behind the mask: Krzysztof Drabikowski and his ensemble. In total, we count eight people standing between pictures, clothes, candles, and a coffin placed in the middle. The backdrop with trees and a church creates a nice visual depth that works, especially in red and orange light. The ceremonial prelude is already strong, even if twilight or darkness would support the mood. At least the rainbows have faded away, the unicorn atmosphere does not hinder the occult sounds. Maybe we can put the arguments aside and appreciate what is happening musically. Because the performance is convincing in its entirety from the stage design to the clear vocals. They were, very different from all other bands. Black Metal with orthodox liturgical lyrics reigned the stage. The show was a real gem and a kind of Black Metal Musical. Great indeed.
Sólstafir,The Icelandic Psychedelic Alternative Metalist delivered a great show with an emotional, atmospheric performance, a brilliant web of sound that lets you dream away into landscapes of ancient countries,
Behemoth, 9 years since their last PSOA performance the Polish Black Death Metal giants finally returned! In perfect sound with great light- and, of course, a fire effect show followed by a mystical Intro behind a white curtain, Nergal and crew blasted out classics like „Conquer All“, „Demigod“ or „Chant for Eschaton 2000“ as well as some new material from their 2022 opus „Opvs Contra Natvram“. A worthy Headliner on this Friday.
The second day of PartySan Open Air was flying by, with many amazing bands performing on both the Main and Tent stages. Heading back to the camping ground to rest and save energy for tomorrow
After a long year of anticipation, we’ve finally returned to Schlotheim, Obermehler Airfield. It feels like coming back home, and it’s even better than we remembered. This year’s lineup is packed with even more Black Metal acts than last year, promising a heavier experience right from the start.
The journey to PartySan was smooth, taking about five hours with no delays or traffic jams. Once we arrived at the PartySan camping ground, everything looked exactly the same as last year—no surprises there. We picked up our press passes and set up our campsite without a hitch, avoiding long queues, which was a nice touch. PartySan typically attracts around 9,000 to 10,000 metalheads, but since the airfield is so spacious, there’s no feeling of overcrowding, making it a comfortable festival experience. Each year, the number of visitors steadily grows, and it’s exciting to see the event’s popularity continue to rise.
After pitching our tent, we headed straight for the Stage ground, where we met up with some friends. We cracked open our first beer of the weekend, soaking in the familiar atmosphere of excitement. As usual, the energy was high, and the crowd was buzzing with anticipation for the opening band.
Then, just like every year, the moment arrived: two loud cannon shots echoed across the airfield, signaling the official start of the party. Everyone cheered, and the festival kicked off in full force. The air was thick with excitement, and the atmosphere was electric, setting the stage for an unforgettable weekend ahead.
Swedish death metal band Bastard Grave opened the night with a stellar performance that blended old-school death metal with a touch of doom, filled moments caught the audience’s attention right away. The crowd, which filled the venue even at an early hour, was thoroughly engaged from the moment the band hit the stage. Their performance was a perfect start. The energetic and tight set left a lasting impression.
Sinisterhit the main stage next, bringing their Dutch Death Metal energy to replace Broken Hope, who had to cancel. I had seen them just last week at Dortmund Deathfest, and they didn’t disappoint. The performance was solid—heavy, fast, and tight—but something was missing. After a while, it felt like the same thing over and over. I enjoy the aggression, but I would’ve liked a bit more variety in their set. The crowd seemed to feel the same way. As the show went on, more and more people left the front of the stage. Part of that might have been due to the small stage under the tent, where the first band of the year was about to kick off. But still, Sinister’s performance didn’t seem to grab everyone the way it should have. It was their first time playing PartySan Open Air in 22 years, and while they gave it their all, I couldn’t shake the feeling that they needed a bit more. A second guitarist could have added more depth to the sound and kept the energy up. The performance was good, but it didn’t quite blow me away.
The sun was setting on the open-air festival, and after two crushing sets of Death Metal, the crowd was ready for a change.Eternal Champion from Texas took the stage, bringing a classic Heavy Metal sound that cut through the atmosphere. Jason Tarpey commanded the stage, blending his powerful voice with some signature stage antics, barking and shouting with intensity. Although I’ve always admired Brendan Radigan from Summerlands for his vocal chops, there was no denying that Tarpey’s charisma and energy won the night. The vibe was infectious—people were rocking out from the front to the very back, making it clear that Eternal Champion had absolutely delivered.
Quickly move to Tant Stage cutching the Old Schooll Death Metal Wilt, come from North Rhine-Westphalia, Germany, and play slightly doomy death metal in the footsteps of Bolt Thrower or Asyphyx. Singer and bassist Matze impresses with ultra-deep growls, which you can hear. The rest is unfortunately a bit of a mess. The bass is much too loud and the guitar is almost inaudible. It also sounds a bit like there are some noises running through the system underneath the actual music. It’s a real shame because what I can hear from the sound mush doesn’t actually sound bad at all. But since even changing locations several times doesn’t really improve things, I move back to the main stage after 20 minutes. It’s a shame, I can imagine that the trio could have convinced me a little more with better sound.
Vltimas, the bold multinational ensemble, delivers an awe-inspiring fusion of Nordic Death Metal enriched by the iconic growls of David Vincent, best known as the frontman of Morbid Angel. Their sound fuses the primal essence of death metal with intricate, atmospheric arrangements, creating a listening experience that is as musically technical as it is emotionally intense. Their work doesn’t just reside in the music alone; their live performances bring something visually striking to the table, adding an unforgettable theatrical flair to their already captivating sonic presence. Each show is a meticulous balance of energy, passion, and visual storytelling that pulls the audience deeper into the band’s dark world.
After a 17-year hiatus, Sadus, North America’s thrash metal titans, exploded back onto the scene with a vengeance. With no signs of slowing down, the band not only picked up where they left off but accelerated to even greater heights. Their technical prowess, combined with their lightning-fast riffs, took the crowd by storm, leaving a trail of chaos in their wake. The performance was a testament to their relentless drive and dedication. Their set was a finely-tuned machine of speed and precision, each song executed flawlessly. From the opening note, the crowd was swept into an uncontrollable frenzy. Mosh pits erupted throughout the venue, fueled by the raw energy of the band’s high-speed thrash anthems.
The Black Dahlia Murder, hailing from Detroit Rock City, closed out the afternoon with an electrifying performance of Melodic Death Metal, leaving the crowd in awe. It was incredibly moving to witness the band still delivering at such a high level, especially following the heartbreaking loss of their iconic frontman and mastermind, Trevor Strnad, in 2022. His absence hung heavy, yet the band’s dedication to carrying forward his legacy was evident, with each note resonating with passion and respect. The energy and skill on stage were a testament to the enduring spirit of their music, solidifying their place as one of the genre’s most revered acts.
As the night stretched on, a palpable energy filled the air, promising an unforgettable evening. Left To Dieopened the floodgates of destruction with their brutal homage to death metal’s most iconic sounds. As the first chords ripped through the speakers, the crowd erupted, their heads bobbing and fists pumping to the thunderous riffs. With every song, the band’s intensity seemed to grow, their high-energy performance filling the venue with pure aggression. The guttural vocals and relentless rhythm section were a perfect tribute to death metal’s roots, and it didn’t take long before the pit became a swirling vortex of body-slams and moshing chaos. The night had truly begun.
But it was only the beginning. Darkened Nocturn Slaughterculttook the stage next, and with them, a shift in atmosphere as chilling as a midnight breeze. The first notes of their black metal ritual were slow and haunting, deliberately building tension. As the fog crept across the stage, the crowd was drawn into a trance-like state, where every chord seemed to reverberate in the chest, and the cold, tremolo-picked melodies wrapped around them like a dark cloak. The drums, fast and relentless, gave a heartbeat to the sinister atmosphere, while the shrill, biting vocals of the frontwoman sent a shiver through the spine of every listener. Heads banged in a synchrony as the audience was enveloped in the icy grip of black metal. The ritual was complete when the last, echoing note faded into a chilling silence. The crowd, almost in a daze, stood in reverence.
Then, with the clock ticking closer to chaos, Terrorizer tore through the night like a furious storm. The grindcore legends came on with no preamble, launching immediately into a brutal, breakneck pace. The intensity was unrelenting, and the crowd, no longer just a sea of people but a thrashing, writhing mass, responded in kind. The relentless barrage of blast beats and ferocious guitar riffs created a sonic whirlwind, pushing every listener to their limits. Bodies collided in the pit as crowd-surfers flew overhead, all swept up in the chaos of pure, unfiltered aggression. There was no respite in their set, only an unforgiving wall of noise that seemed to consume everything in its path. The energy felt almost destructive, as if the very floor beneath them might buckle under the weight of it all. Terrorizerwasn’t here to entertain—they were here to incite a riot, and the crowd gladly obliged.
But even in the heart of this madness, there was still one act left to leave the crowd breathless. As midnight approached,Abbath took the stage, bringing with him a spectacle that transcended just music. The fog rolled in thick, obscuring the stage in an eerie haze, and then the flames erupted—blazing, towering, casting shadows on the darkened crowd. Abbath himself appeared as a towering figure, his face painted and his presence magnetic, commanding attention without saying a word. His black metal symphony unfolded with grandiosity—epic, atmospheric, and intense. His signature growls and soaring melodies intertwined in an almost operatic fashion, rising above the fire and smoke to envelop the venue in a mighty sonic wave. With every riff, the flames grew higher, and the crowd became even more entranced. It was a perfect storm of sound, spectacle, and stagecraft, a true culmination of the night’s offerings. The energy reached its peak as Abbath led them into a final, thunderous crescendo—an unforgettable moment that left the crowd in awe.
As the last embers of fire burned out and the final notes of Abbath’s set echoed through the venue, the audience stood in stunned silence, caught in the aftershock of the evening. The first day had come to an end, and it was clear: this was a night to remember, an evening where metal legends met in a furious, thrilling display of sound and fury.
It was the first day at PartySan, and amazing bands played all day long. From the moment the music started. I spent the rest of the evening relaxing with friends at the camp ground, enjoying the great company and the festive vibe. The night was filled with laughter and good times before I finally hit the bed, exhausted but happy from an unforgettable day.
The gate of hell will open soon, Party.San Open Air 2024. One of the Extreme Music Festivals in Europe. The most fans of Metal Extreme are waiting for it every year, It will take place from August 8th to 10th, 2024. in Schlotheim at the Obermehler airfield Thuringia.
The Party.San Open Air Organizer always takes great bands, in the genres of Death Metal, Brutal Death Metal, Black Metal, Doom Metal, and Grindcore from around the world. When we look at the Party.San Open Air Billing 2024 is a completely insane killer lineup you will be not disappointed.
One or the other cracker has already been announced. Let’s start with the bigger bands and work our way down the billing.
SO FAR THE LINEUP OF PARTY.SAN 2024
Abbath | Afsky | Akhlys | Alkaloid | Anaal Nathrakh | Bastard Grave | Behemoth | Bewitched | Blood Fire Death | Broken Hope | Cloak | Cryptopsy | Darkened Nocturn Slaughtercult | Disentomb | Enthroned | Eternal Champion | Grave | Hate | Heretoir | Horresque | Imha Tarikat | Incantation | Iron Walrus | Konvent | Kraanium | Krzysztof Drabikowski’s Батюшка | Left To Die | Legion Of The Damned | Malphas | Mephorash |My Dying Bride | Necrot | Non Est Deus | Obscura | Obscurity | Phantom Winter | Regarde Les Hommes Tomber | Ritual Death | Rope Sect |Sacramentum | Schammasch | Sodom | Sólstafir | Stillbirth | Sulphur Aeon | Terrorizer | Ultha | Unto Others | Varathron | Vorga | Wilt.
More Bands will to be announced just check out the running order of all the bands on the link below here:https://www.party-san.de/bands-2024
Beautiful morning, full of energy, seems like I had a nice sleep last night, and also the weather is perfect. I am excited about the band gonna play but before that let’s get some breakfast and do a checklist with the band I want to see. It is quite hard to decide which band I want to see because some bands I know and some I don’t know let’s see what happens letter, it can be surprising.
As usual at PartySan on Friday, the opening band is always some Grindcore, Goregrind band which means there will be to a big party soon at Main Stage, this time the Goregrind Brutal Death Metal band comes from Belgium, Brutal Sphincter. with two frontmen with two different characters, their music very catchy, groovy heavy mix Hardcore, Punk, Death metal Grindcore, Goregrind. Massive circle pit without ends at from row of the main Stage which wearing many kinds of funny Costumes. Balls, toilet brushes, and toilet paper flying in the air. It was a great show and a great party for the early day.
Next Melodic Death Metal from Australia Be’lakor. Heading all the way from Australia this Melodic Death Metal Outfit is the second band on the main stage on Friday. The band chose this early slot themselves as their touring schedule takes them up to Finland right after this show. Their mix of atmospheric and sometimes progressive Melo Death went down really well with the crowd, the sound was clear and powerful. The epic „Countless Skies“ closed off a really good but too short set, hope these guys come back soon!
Next up was the German Old School Death Metal band Endseeker who already played in the Tentstage back in 2018, so this year they conquered the main stage, and well deservedly after 3 very solid albums! Their catchy and energetic HM2-driven Death Metal style in very loud and massive sound won over the crowd immediately, as did their likable frontman Lenny with his lunatic stage presence! he served up the appropriate texts for the intermezzo. What is impressive, however, is that they are getting better and better on stage thanks to the experience they have gained over the last few years. The very likable gang offered a nice and groovy performance that seemed to me like a successful hybrid of Bolt Thrower, Benediction, and US-Old-School Death
Yoth Iria The Dress Black Metal, hit the main Stage one hour early as scheduled because Mantar will not be performing for health reasons, Grave Miasma will replace at 9 p.m. The Greeks have released an EP, a split, and a studio album. Most recently the record As The Flame Withers – there’s no need to talk about the motivation. Frontman The Magnus goes all out and destroys his microphone on his trip from the stage to the audience. Rolling wildly across the stage, he is completely in his element. The presentation of the new black metal institution is not bad, with the classic Corpse Paint Eye Catcher. The sound is dark and full of doom elements that stay positive in your head. Great performance.
Kanonenfieber the Blackened Death Metal from Bamberg Germany, with a Large Zeppelin backdrop, it’s time for cannon fever from Bamberg. The southern Germans jump back to the time of the First World War. Founded by Noise, he pulls all the strings on the project and only receives live support. The Baptism of Fire, Fat Bertha, and The Battle of Tannenberg are received hungrily. In the last few months, the group around the mastermind has been able to make a name for itself as a top live actor and confirms this trend directly on the battlefield in Schlotheim. The atmosphere is frosty, the songs leave their mark and yet you can still speak of a really strong gig. The topic has its hard sides that cannot be glossed over. Trench Songs and The Fusilier place their dirty finger deep into the already festering wound. You should have cannon fever on your radar if you like German lyrics that sing about historical war chapters. The popularity is justified, the show, despite the live line-up, is a strong and awesome performance.
The Norwegian Black Metal Urgehal. It was delayed about 15 minutes, however, the entire stage set was changed twice in a very short space of time. Things have become damn quiet around the Hønefoss squad. With the last record Aeons In Sodom, it was over for the Scandinavians, who have been wanting to know it again since last year. Let’s see if there’s any new studio material or if they’ll just start playing live for now. The death of Trondr Nefas eleven years ago still resonates with Urgehal. Goatcraft Torment and Antireligiøs kick things off, followed by Satanic Black Metal In Hell. The veterans of the black genre are keen on the Norwegians, who are a little behind this year. Death Metal is clearly ahead at this year’s Party.San. However, Behemoth and Darkened Nocturn Slaughtercult are already available for next year. After Urgehal’s toxic ride, the stage remains in Scandinavian hands.
Illdisposed. Time for the Death Metal from Aarhus Dänemark“is back! For the first time since 2006 these Danish veterans. finally, we are back at PSOA! Led by frontman Bo Summer with his hilarious and funny announcements that he isn’t drunk today The frontman describes himself as old, we would say grown up. The mix of Death Metal hardness and Melodic Death Metal atmosphere creates a successful sound they made the crowd move with their groove-laden Death Metal hits like „Dark“ or „I Believe in Me“. Massive sound and lots of fun made this an early highlight of the day!
The trio with black hoodies Midnight. The American Black speed punk seems ready to that the action. The power trio knows how to skillfully ignite the tinder that is inherent in the genre mix of speed metal, punk, and black ‘n’ roll: Athenar and his guitarist collect a lot of steps, sprint from left to right, and transfer the energy to the audience, that appreciated the show with raised fists, crowd surfing and… a swarm of deposit cups flying towards the stage provoked by the band. Great sound and, a killer live show, always fun to see the performance from them.
The Polish Extreme Technical Death Metal,Decapitated the band I had been waiting for. I have been following this band for quite a long and also I have shown them several times live Performances. is once again giving it their all and the current studio album “Cancer Culture” also offers some absolute hits for the live setlist, the audience exhausted themselves a bit at the previous show. It’s a shame, but it’s still an entertaining and rock-solid three-quarters of an hour that guitarist Wacław Kiełtyka and his colleagues put together.
Grave Miasma the Death Metal Band from the UK. Usually, the band plays at the Tent stage, but now they play at the main stage to cover slots for the band Mantar, they can’t come because of Corona. However, this last-minute change doesn’t go so smoothly, because the band has to struggle with some technical difficulties at the beginning of the set: repeatedly too much bass, too little guitar, and the vocals are often lost. In return, GRAVE MIASMA gets a lot of pyrotechnics: walls of flames and fog support the black death metal of the Brits, who are certainly happy about the chance to take over the main stage at the best time of the year. However, you can already tell that the stage is a big one for GRAVE MIASMA – the band’s haunting sound works better on a smaller one with a stronger club feeling.
Dying Fetus, for the 6th Time this US Trio presented their unique Death Metal to the crowds at PSOA! In maybe the best sound of the whole festival the guys fired off their mix of brutal & technical but yet often groovy DM Hits like „In the Trenches“ or the fantastic „Grotesque Impalement“. The Americans deliver a colorful set from their entire creative phase and also have two pre-release singles from the upcoming album in their luggage. It was impressively demonstrate how Death Metal is presented to perfection on stage, without losing even a minimum of brutality and authenticity. With the last song “Wrong One To Fuck With” there is a huge hammer blow before you leave the stage for the outro of kool & the Gang. A once again amazing co-headlining gig from them!.
Hypocrisy, headlining on Friday were the Swedes of Hypocrisy. With an epic futuristic stage set their setlist contained a big variety of classics like „Fractured Millenium“ and „Roswell 47“, new tunes like „Chemical Whore“ and „Children of the Gray“ and some old, rarely played tracks like „Inferior Devotees “, Impotent God“ or „Mind Corruption“. The band around Peter Tägtgren was in good shape, but the sound was not perfect however as the bass and bass drum were too loud and the vocals a bit too low in the Mix. But all in all a worthy headliner with very cool setlist!
It was a great time and enjoyed seeing all the band performances on the Main Stage. even some of them are not the type of music I listen to. Already late now time to go get sleep and save the energy for tomorrow
The time running so fast, not realize that today is the last day of PartySan 2023. Back Stage ground even still early but it is nice to get something to eat and meet some friends. Slowly the Stage grounds got more people, 30 minutes before the opening band hit the stage the Stage grounds were already crowded.
Atomwinter, an Old-school Death Metal band from Göttingen Germany the opening slot for the last day of the festival. The band sounds old-school mixed with Bolt Thrower style which slow riffs guitar and traditional drum beat. I didn’t know this band before just heard the name but this is the first time seen them live. Great live performance it made all of the Old-school Death Metal fans enjoy all long the show for the early day.
Frozen Soul is an Old-school Death Metal Band from the USA, the band was a surprise because of the character of Typestyle they play, Old-school death Metal Reffs mixed with Slam Death Metal Reffs is a very interesting typical US Death Metal sound. Very catchy riffs slowly but killing with a traditional Old-school beat with Bolt Thrower style. I don’t know this band before. At some time on the front Stage, the crowd went nuts. Massive circle pit after circle pit without end till finished their set. This was… very amazing performance. Spectral Wound, the Canadian Black Metal. The next good act early on is Spectral Wound. The partygoers are still totally motivated on the third day and are keen to celebrate Extreme Metal. Imperial Saison Noire and Soul Destroying Black Debauchery from the black metallers weigh heavily. The riffs come out of the speakers weighing tons. Frigid And Spellbound and Aristocratic Suicidal Black Metal are viciously celebrated by Jona. The sound is strong the atmosphere has been good all afternoon and the big acts of the day are only playing in a few hours. Next is Skitsystem, The punky Black ‘N’ Roll from Göteborg, Schweden. The Swedes released their last album Stigmata in 2006. Having risen like a phoenix from the ashes, things are now going well again after the disbandment in 2007. To match the last piece of silver, they serve the title track Stigmata from the disc. It gets dusty on stage, the handwriting is old school and the Scandinavians still have a knife between their teeth. We didn’t have the men from Gothenburg on our list, who pull off more headbangers than you would have previously thought. The heavy thunderstorm passes the festival by a hair’s breadth. Although it rains during Ellende’s performance, the lightning storm and the heavy rain can only be seen on the horizon. Thor has mercy on us and prefers to leave Ellende to crash on stage. While the Austrians perform their ambient post-black metal, a fine rain falls on the runway. The typical smell of summer rain is in the air, while dark and depressive black metal hits your ears. The structure of LG’s project is very monotonous and clearly relies on attrition tactics. Fine highlights break up the dark chain mail, while the live line-up lets new and old material rain down on the soul. The atmosphere remains excellent, that is also our conclusion from Party.San 2023.
It’s time for the skinless. The Death Metal from New York to blow their death lead unadorned across the pond to Europe. While Chris Mahar is working on his shooting gallery, it is literally on fire. Free fire for the hungry Death Metal warriors, who simply knock it out without a backdrop or other visual accents. Today, especially in the first few hours, bands with a relatively low standing in the scene or who are considered underground gems and cannot be seen on every street corner are surprising. The area is in front of the stage a little less crowded than the day before, but Skinless are just as energetic as all the other acts of the day. Singer Jason Keyser sings My Hat, It Has Three Corners. He casually strolls across the boards in his cowboy hat and throws his hat into the crowd during the last song. Even if the formation claims to have gone over the top in the Brutal Assault the day before, it is still quite enough for a good performance a day later.
Impiety is another highlight for me, and not just because you don’t often have the opportunity to experience the veterans from Singapore in Europe. The men unleash a truly vicious and menacing primal force of old-school thrashy death and black metal that makes it a real joy to witness this inferno. I definitely have some catching up to do here in the next few weeks. I definitely have to dig through the Asians’ discography. (JD) Impiety also attracts visual attention with fire fountains and burning drum stands. But why the singer has to distort his microphone so much that it almost hurts his ears remains his secret. Back on the tent stage, ARSGOATIA’s monotonous guitar riffs dominate and create a doom-and-gloom atmosphere. Even though the band only has one album released, many people don’t want to miss the first PARTY.SAN appearance. Around the ex-Belphegor singer Bart, the Austrians show that atmospheric black metal works even without synthesizers and other nonsense.
The legendary of Death Metal Band Veterans From Immolation filled in for Vital Remains who had to cancel their performance. A worthy replacement! The band around vocalist and bassist Ross Dolan and guitarist Rob Vigna, with his unique moves, while playing the most intricate riffs, offered a setlist containing a great mix of classic and newer material such as „Under the Supreme“, „Harnessing Ruin“, „Providence“ or „The Age of no Light“ in powerful sound. Delivery of a powerful live performance undoubtedly highlights for all fans of extreme Music.
Borknagar after 21 years Borknagar from Norway finally returned to PSOA with their original style of progressive Black/Viking Metal. Now fronted by ICS Vortex they presented an amazing set of songs, including the epics „Up North“ and „Winter Thrice“, the classics „Colossus“, „Ruins of the Future“ and „The Dawn of the End“ and a stellar performance of the calm song „Voices“ with Keyboardist Lars on lead vocals. Mostly in very good sound (unfortunately, the mic of the lead guitarist was off the first half of the set) this was amongst my highlights of the festival!.
Endstille the Germany Black Metal. well, I don’t know so much music about this band never heard it before.
the Canadian Death Metal band guested for the 4th time at PSOA. Their modern Style made the crowd circle pitting and crowd surfing pushed by frontman Maurizio Iacono. Some older hits like „Manipulator of Souls“, „Shadows and Dust“ or „As I Slither“ were the highlights for me, with too much newer material being played for my taste. Overall a solid gig that also featured a brand new tune from their upcoming album „Goliath“.
Enslaved. 12 long years since their last PSOA performance the Norwegian Progressive Viking Black Metal giants finally returned! In perfect sound with a great light show they presented a special setlist for this final Ggg of the festival. Their 1994 debut album „Vikingligr Veldi“ was played in its entirety, and the epic opening song from „Eld“, „793 (Slaget om Lindisfarne)“ served as a surprise encore. As Enslaved has released some amazing albums over the last 10 years a setlist with some newer songs would be even better in my opinion. Nevertheless a great ending to an awesome PSOA 2023!
That was the end of PartySan Open Air 2023. It was an amazing time 3 days in a row listening to great bands’ performances and hanging out with friends, now we must wait for one year for the next edition of PartySan Open Air 2024.
The time running so fast, not realize that today is the last day of PartySan 2023. Back Stage ground even still early but it is nice to get something to eat and meet some friends. Slowly the Stage grounds got more people, 30 minutes before the opening band hit the stage the Stage grounds were already crowded.
Atomwinter, an Old-school Death Metal band from Göttingen Germany the opening slot for the last day of the festival. The band sounds old-school mixed with Bolt Thrower style which slow riffs guitar and traditional drum beat. I didn’t know this band before just heard the name but this is the first time seen them live. Great live performance it made all of the Old-school Death Metal fans enjoy all long the show for the early day.
Frozen Soul is an Old-school Death Metal Band from the USA, the band was a surprise because of the character of Typestyle they play, Old-school death Metal Reffs mixed with Slam Death Metal Reffs is a very interesting typical US Death Metal sound. Very catchy riffs slowly but killing with a traditional Old-school beat with Bolt Thrower style. I don’t know this band before. At some time on the front Stage, the crowd went nuts. Massive circle pit after circle pit without end till finished their set. This was… very amazing performance. Spectral Wound, the Canadian Black Metal. The next good act early on is Spectral Wound. The partygoers are still totally motivated on the third day and are keen to celebrate Extreme Metal. Imperial Saison Noire and Soul Destroying Black Debauchery from the black metallers weigh heavily. The riffs come out of the speakers weighing tons. Frigid And Spellbound and Aristocratic Suicidal Black Metal are viciously celebrated by Jona. The sound is strong the atmosphere has been good all afternoon and the big acts of the day are only playing in a few hours. Next is Skitsystem, The punky Black ‘N’ Roll from Göteborg, Schweden. The Swedes released their last album Stigmata in 2006. Having risen like a phoenix from the ashes, things are now going well again after the disbandment in 2007. To match the last piece of silver, they serve the title track Stigmata from the disc. It gets dusty on stage, the handwriting is old school and the Scandinavians still have a knife between their teeth. We didn’t have the men from Gothenburg on our list, who pull off more headbangers than you would have previously thought. The heavy thunderstorm passes the festival by a hair’s breadth. Although it rains during Ellende’s performance, the lightning storm and the heavy rain can only be seen on the horizon. Thor has mercy on us and prefers to leave Ellende to crash on stage. While the Austrians perform their ambient post-black metal, a fine rain falls on the runway. The typical smell of summer rain is in the air, while dark and depressive black metal hits your ears. The structure of LG’s project is very monotonous and clearly relies on attrition tactics. Fine highlights break up the dark chain mail, while the live line-up lets new and old material rain down on the soul. The atmosphere remains excellent, that is also our conclusion from Party.San 2023.
It’s time for the skinless. The Death Metal from New York to blow their death lead unadorned across the pond to Europe. While Chris Mahar is working on his shooting gallery, it is literally on fire. Free fire for the hungry Death Metal warriors, who simply knock it out without a backdrop or other visual accents. Today, especially in the first few hours, bands with a relatively low standing in the scene or who are considered underground gems and cannot be seen on every street corner are surprising. The area is in front of the stage a little less crowded than the day before, but Skinless are just as energetic as all the other acts of the day. Singer Jason Keyser sings My Hat, It Has Three Corners. He casually strolls across the boards in his cowboy hat and throws his hat into the crowd during the last song. Even if the formation claims to have gone over the top in the Brutal Assault the day before, it is still quite enough for a good performance a day later.
Impiety is another highlight for me, and not just because you don’t often have the opportunity to experience the veterans from Singapore in Europe. The men unleash a truly vicious and menacing primal force of old-school thrashy death and black metal that makes it a real joy to witness this inferno. I definitely have some catching up to do here in the next few weeks. I definitely have to dig through the Asians’ discography. (JD) Impiety also attracts visual attention with fire fountains and burning drum stands. But why the singer has to distort his microphone so much that it almost hurts his ears remains his secret. Back on the tent stage, ARSGOATIA’s monotonous guitar riffs dominate and create a doom-and-gloom atmosphere. Even though the band only has one album released, many people don’t want to miss the first PARTY.SAN appearance. Around the ex-Belphegor singer Bart, the Austrians show that atmospheric black metal works even without synthesizers and other nonsense.
The legendary of Death Metal Band Veterans From Immolation filled in for Vital Remains who had to cancel their performance. A worthy replacement! The band around vocalist and bassist Ross Dolan and guitarist Rob Vigna, with his unique moves, while playing the most intricate riffs, offered a setlist containing a great mix of classic and newer material such as „Under the Supreme“, „Harnessing Ruin“, „Providence“ or „The Age of no Light“ in powerful sound. Delivery of a powerful live performance undoubtedly highlights for all fans of extreme Music.
Borknagar after 21 years Borknagar from Norway finally returned to PSOA with their original style of progressive Black/Viking Metal. Now fronted by ICS Vortex they presented an amazing set of songs, including the epics „Up North“ and „Winter Thrice“, the classics „Colossus“, „Ruins of the Future“ and „The Dawn of the End“ and a stellar performance of the calm song „Voices“ with Keyboardist Lars on lead vocals. Mostly in very good sound (unfortunately, the mic of the lead guitarist was off the first half of the set) this was amongst my highlights of the festival!.
Endstille the Germany Black Metal. well, I don’t know so much music about this band never heard it before.
the Canadian Death Metal band guested for the 4th time at PSOA. Their modern Style made the crowd circle pitting and crowd surfing pushed by frontman Maurizio Iacono. Some older hits like „Manipulator of Souls“, „Shadows and Dust“ or „As I Slither“ were the highlights for me, with too much newer material being played for my taste. Overall a solid gig that also featured a brand new tune from their upcoming album „Goliath“.
Enslaved. 12 long years since their last PSOA performance the Norwegian Progressive Viking Black Metal giants finally returned! In perfect sound with a great light show they presented a special setlist for this final Ggg of the festival. Their 1994 debut album „Vikingligr Veldi“ was played in its entirety, and the epic opening song from „Eld“, „793 (Slaget om Lindisfarne)“ served as a surprise encore. As Enslaved has released some amazing albums over the last 10 years a setlist with some newer songs would be even better in my opinion. Nevertheless a great ending to an awesome PSOA 2023!
That was the end of PartySan Open Air 2023. It was an amazing time 3 days in a row listening to great bands’ performances and hanging out with friends, now we must wait for one year for the next edition of PartySan Open Air 2024.
Seem the Pandemic season already passed behind us, and most of events indoor and outdoor festivals starting to continue events as before, one of them is the PartySan open-air this year which is the 2 time PartySan open-air after the Pandemic. PartySan open air is kind of like a family meeting for all Metalheads, and this year the PartySan open air Visitor is more than last year. More than 60 Bands will be performing for 3 days, from Thrash Metal, Black Metal, Death Metal, And Grindcore.
Finally, we were here again after a 3-hour drive, this time we arrived a bit early and there was enough time to find some space to put our tent before we went to see the first band. We are lucky that we got quickly through the camping side, most of the people arrived on Wednesday and there was a bad traffic jam in some villages before entering the PartySan Gage.
When we arrived at the Stage grounds they were already crowded from there we could see that this year there were more visitors than last year. At Stage Ground nothing changes look like before, the Metal Market the food stand the Beer bar should be ready to start the first day of PartySan 2023.
The big Canon bell is ringing it means the party is going to start with the opening band from Poland Mentor never heard the band before, but they are quite interested in which old classic guitar sound mixed with catchy riffs punk, Hardcore, Thrash and old school Death Metal and Thrash vocal. It is not the kind of music I listen to, but they are good in live performance and they can bring the audience to enjoy from the beginning till the end of the show.
Even though the weather getting worse, the schedule must move on with the second band that will come up isOrbit Culturethe Scandinavians conjure up dark melodic death metal. Palm muted riff with fast riffs intersect with groovy and chugging and passages sometimes thrashy, with clean backing vocals with melodic and dynamic sound coming out the stage, seems all of the audience enjoyed listening there music even though was raining at the time. In my opinion, they are great life shows and very tight and great sound was glad to see them here.
Next is the Thrash metal from Spain,Angelus Apatridait was lucky for them that not rain anymore the sun came out again. They are intense thrash metal, full of speed, power, attitude, groove, and riffs galore. Sadly they didn’t play some of the new songs from the new album called Aftermath, which will come out in October. It was fun to show them on the stage and listen to what they played it reminded me of some old-school thrash Metal late 80s. Even though the show was ending a bit early, it was a great performance.
Gatecreeper,never have see them yet live. The American Death Metal from Phoenix. They sound kind of Swedish Death with a slow heavy, ambiance, and brutality. Very catchy riffs with a classic Raw of Death Metal sound. It reminded me of Obituary, Bolt Thrower with a slightly hardcore touch and also they play with their own style very interesting. The performance from them seems extremely accessible, really outstanding, without a doubt. Glad to show them in here.
The next band I have been waiting for, I have been following them for quite a long but I never show them in life performance. The Canadians Technical Death Metal Archspire. At the same time at on the main Stage there are a lot of fans of them waiting can’t waitto start. The Canadians guys blow me up how tight they play in life performance, you hear the blast-speed and breakdown tempo with catchy groove riffs and typing bass style thy are amazing Musician, I was thinking at the moment how they can play with complicated riffs like that without fail, they place very smooth. The front man he can speed and faster singing it kind of like Raps singing in different ways also he did well entertaining to the Audience with his jog and asking the Audience to play some games. The circle pit in front of the stage continues without ending until the end of the show. The Canadian guys know how to keep the audience busy.
Deströyer 666 the Black Thrash Metal band from Australia, the band already quit long on the root which almost 30 years, correct me if Im wrong. The band already 3 times played PartySan now the 4th. There is quit anougth crowded at the time at mein stage. I don’t know so much about this band know just view track from them. The band sound like heavy classic thrashy, melodic, versatile and atmosphericsome time mix with kinds likes Speed Metal with mid-tempo. The performance are great but they sound at the time not really quit good, just hear the kick drum and the bass came out of the sag, it miss some brightness.
Tribulation, a Swedish Heavy Metal, band quite often plays at PartySan Open Air, at the beginning of the show I was a thing it that Tribulation was on the stage now, they looked different, especially the outfit whit fantasy outfit but after a few minutes I could recognize some of them and I did know that there are new member are play as guitar. Their performance is great as I showed them the last time only a little bit changed from the sound and also the new Guitarist plays much difference as the previous Guitarist one play really smoothly and the old one played more action on the stage, but still nice to show them here with us.
The second band I have been waiting for is the Death Metal band from South Carolina, NileHow doesn’t know the Nile everybody who likes extreme Metal the know Nile? It is Sad that the old bass vocal left the band. Now they had a new member which bass and vocal. If I compare the old and the new Nile it not much difference now they place more technical Death Metal and faster riffs and Blast-speed drums, which is great but it something missing than the Groovy and the oriental Melodie parts. However The performance was great and the sound was perfect, I was joyed to see them from the beginning until the end, even though there was a delay of about 25 minutes during their show, some technical problem with the sound check, and also they can’t play the complete set, it sad but it can happen sometimes.
Deicidehit the MainStage the Death Metal band from Florida US. It’s great that they came back here again I’m not wrong they were here in 2019, that was the first time I showed Deicide. At the beginning of the show they play some tracks from 1992 from the album “Legion” and after that, they play some more old stuff which is great for me it is like some memory for me where I hear the old song from them. I showed them last week at another festival was a great show without no doubt, even Mr Glen Benton the frontman sometimes he forgot his own text, but it doesn’t bother him. Seems all of them were in the mood on the stage even though the beginning was delayed but it was not long as Nile. By the way, they deliver great sound and an awesome setlist.
Finally, the last band for this evening is the Old School Death Metal from USA Obituary, every metalhead knows this band the band has already been long in the metal scene also already has many albums bring. It was not the first time they played at PartySan but when you see Obituary live show you will never get boring can see them more and more. The Music The groovy catchy riff and the Melodie it will stay in your mind. This was the first time I heard that frontman “John Tardy” was speaking to the Audience, I did show them many times but he never did that. The performance was amazing the perfect sound it was more than the last time they played here. The setlist was a mix of the old and new it was the perfect setlist of course the Audience likes to hear from old staff like Slowly We Rot, Slow Death, and more. Was enjoyed all long the show it was like a happy ending for the first day of PartySan 2023.
Was thinking of going to the Party after show but my body said no need for some rest. it was an amazing day with many great bands and also hanging out with old friends that I just show once time in a year, I can’t complain. Before hitting bed want to get some food and save some energy for tomorrow
What else is there to write about the PartySan Metal Open Air, Jarne, Mieze & Co. once again invite you to dance with noise and good humor, one of the largest extreme Metal festivals in Europe.
The festival was founded in 1996 and over the years has grown into one of the most important festivals for extreme metal music, which mainly of Death Metal, Black Metal, Thrash Metal, Down Metal, and Grindcore.
The Party will be taking place from 10,-12.08.2023 as usual in Schlotheim at the Obermehler airfield in beautiful Thuringia, There is only one address in Germany for fans of extreme metal.
One or the other cracker has already been announced. Let’s start with the bigger bands and work our way down the billing.
Looking forward to Party.San Open Air 2023 and seeing you soon Schlotheim
Preview of Metaldays Open Air 2022
The wonderful, medium-sized festival in the Julian Alps MetalDays Festival will present you with a friendly and absolutely relaxed atmosphere, perfect for you to just forget about all your worries. Enjoy the Live Music in the holiday feeling. Every year thousands of metalheads travel to this great festival. The festival is located at Sotocje, which lies in between the two mountain rivers called Tolminka and Soca. The area is also part of the Julijske Alpe National Parks, and the Soca river is one of the cleanest and the Beautiful rivers in Europe.
The impact of the Corona Pandemic most Metal concerts, indoor and Open-air Festival have been in short supply for almost two years. Right now we will be going into the third year of the Corona Pandemic which hopefully this summer will finally be a real festival summer. Metaldays is a cross-genre festival taking place from 07/24/2022 to 07/30/2022 in Tolmin (Slovenia). Around 12,000 fans are expected. The festival was canceled in 2020 due to the corona pandemic, in 2021 just Mall Metaldays with one Stage. and this year the event is finally scheduled to take place again with 2 Stages.
The lineup of MetalDays 2022
AMENRA | ANGELUS APATRIDA | BOUND TO PREVAIL | BRITOF | BRUTAL SPHINCTER | CABAL | CARNATION | CELESTE | CHAINS | COLD SNAP | CONVICTIVE COUNTLESS SKIES | CYPECORE | DARKFALL | DEATHCHANT | DEATH ANGEL | DECAPITATED | DOODSESKADER | ETERNAL DELYRIA | EVOKEN | FLESHCRAWL GHШSTKID | GUTALAX | HANGMAN’S CHAIR | HEGEMONE | INCANTATION | INCURSED INMATE | IN TWILIGHT’S EMBRACE | JEGULJA | JINJER | MANNTRA | MENTAL CRUELTY | MERCYFUL FATE | MESHUGGAH | METALSTEEL | MIST MOLASSESS | MOONSPELL | MOROST | NANOWAR OF STEEL | NAPALM DEATH NOCTEM | NOCTIFERIA | OBSIDIOUS | ORANGE GOBLIN | PANZERFAUST | PARTY CANNON | PILGRIMAGE | ROTTING CHRIST | SAOR | SHORES OF NULL SIGNS OF ALGORITHM | SICK OF IT ALL | SKINDRED | SKYEYE | SRD | STALLION STAM1NA // SUFFOCATION | SYLVAINE | TESTAMENT | THE COMMITTEE THE DEVIL’S TRADE | THE GREAT OLD ONES | THE HALO EFFECT THE PRIVATEER | TRUCHŁO STRZYGI | UADA | UNEARTH | VISIONS OF ATLANTIS VOICES | VULTURE INDUSTRIES | WHISKEY RITUAL | YEAR OF THE GOAT
More Bands to be announced or check out the running order of all the bands on the link below here: https://www.metaldays.net/2022