PartySan open air Report Thursday 07.08.2025
The Hell is open that was on the Gage when you enter the PartySan Venue, where almost every most of visitor takes photos every year. It’s nice to be here again, it didn’t make much difference, as like the previous of last year. PartySan Venue are not complicated, it’s easy to access everywhere. The main stage surround of the Food and Merchandise stand and the Tent Stage, this year the beers are the same price as last year, only the food is a little bit higher than last year. As usual every year, one hour before the event starts, 3 time the Canon shoot up 3 times in the sky.
Main Stage
The opening band is gonna play today. At the Moment in front of the main stage, the audience is already waiting for the first band of 29 edition of PartySan 2025. quite crowded at the moment for the first band. Rotpit is the German Old School Death Metal sound of low tune and traditional riffs and beats of traditional Death Metal. The audience seemed to enjoy the show, a great band opening on the first day of PartySan Open Air 2025, and a lot of the audience showed up. Great stage performance for the opening band of PartySan Open Air 2025.
Next, the Slam Brutal Death Metal from Belarus hit the main stage. Extermination Dismem Berment hit the main stage. Time for a Slam Party. Your head will go up and down and jump while following the groove Riffs. I have been following this band since the beginning, and have shown them in many other festivals before and finally they are here. delivered uncompromising slam/brutal death metal. Frontman Vladislav’s appearance, muscle-bound in a tactical vest and jogging pants, conveyed the message. The band presented their material with precision and power, featuring downtuned guitars, even deeper growls, and triggered drums. The singer, in particular, demonstrated great stage presence, constantly engaging with the audience. When the groove Riff comes up all the whole audience moves up and down, and in the middle of the stage ground there is a circle pit continually without ending. Always great to see them on the Stage.
Next up was a band from somewhere and Oceans. I’d never heard of And Oceans before, but their performance was a surprise. They had catchy riffs and tight blast-beat drums bursting with a lot of energy, reminiscent of old-school Brutal or Brutal Death Metal mixed with Black Metal. It is impressive, symphonic music can be both powerful and experimental at an extreme metal festival, especially when executed with such a solid and convincing sound. The band’s performance is dynamic. It was a surprise and great to see them live,
The Spirit, 
A Melodic Black/Death Metal Band from Germany, Saarland, has been upgraded to this slot, where they played before at Tent Stage, with an incredibly intense Show a few years ago. Expectations are correspondingly high, and a large fan base gathers in front of the main stage. The band immediately and impressively demonstrates the outstanding reputation they’ve earned within their genre and proves they can handle the big stage. With the fire effects on the main stage, the flawless performance by the southwestern Germans, featuring furiously snarling vocals, adds even more excitement and creates a goosebump-inducing atmosphere, incredibly captivating and gives the audience a relaxing. 
Dool, a Rock Band from the Netherlands, bring the atmospheric sound mix of Rock, Doom, and Progressive elements, brushed with a Gothic melancholy layer into their music. The Band performs with strong emotion and confidence. Their music moves between quiet and loud parts, pulling the audience into a deep, almost like a dream. With three guitars on stage, the band builds a wall of sound that feels heavy and complete. Even though that is not my kind of music style, I listen to it, but it’s nice to see that the performance is really great and emotional. The Swedish veterans old Rock Metal Grand Magus. 
Many of the audience who like classical music are waiting for them. delivered a hefty dose of heavy meta, which offered a diverse range of styles. The Stockholmers, who have fought hard for their place in the scene, presented a small cross-section of their work, and following the band. There was something missing from the sound which the singer had least come up and also at the time it was windy, but the band played with tight musicianship, and the audience seemed to enjoy the performance. This performance was the second one after the band’s long break, but they delivered a tight and enjoyable performance, and the audience seemed thoroughly pleased. 
Next is Italian Black Brutal Death Metal, Fleshgod Apocalypse, Known for their theatrical stage presence, with Brutal and Melodic atmosphere combined together becomes such a great Dynamic sound. One of the bands on my list I’m waiting for today. Before, they were focusing only on growl vocal singing and as background with clean vocal singing, but now it has changed with growl and clean vocal singing combined, together sounds very interesting. The staging is thoroughly theatrical and designed in keeping with their latest full-length album. The blend of brutal tech death, intricate riffs, and Bordacchini’s vocals is a unique and polarising characteristic. The stage ground is getting full and full. As tradition, the singer said Let it make a wall of death and massive circle pit in front of the Main Stage. Great performance was great to see them here after a long time, I didn’t see them live. 
After a faster band, now time Harakiri From The Sky, the melodic Death Metal band from Austria, with barking vocals and melodious riffs, it’s not the kind of music I listen to, but I did show them a long time ago in some other festival. The band seemed to blend elements of rock, black alternative and death metal. The band brought a deeply melancholic shift in mood; it was the right slot they played, which perfectly complemented the atmosphere at Sunset. The band’s aggressive melancholy was underscored by a touch of pyrotechnics and made even more sublime by the excellent sound. It was a fully emotional performance. 
The time has come for the Lagen of Grindcore band from the UK, Napalm Death, the second band before the last band at PartySan Open Air on Thursday. Most of the audience is waiting for this band. Nice to see them again after so long didn’t see them. During between break, the singer talks about politics, why they hate anyone, it should not be like that and talks about the German Party AFD. The performance is characterised by unbroken ferocity, dissonance, and the typical punk influence that represents grindcore in its purest form, even though the band has long since transcended that genre alone. Massive circle pit in front of the Main stage and chaos with the audience crowd surfing continuously, which keeps the security keep busy. That was an outstanding, uncompromising, and simply awesome performance. 
Finally, the legendary Thrash Metal band from California, Dark Angel, will be the high liner. The centrepiece of their set is a complete rendition of their 1986 classic “Darkness Descends,” primarily serving as a tribute to their own history. The band delivers a powerful and precise performance – no surprise with “Atomic Clock” Gene Hoglan behind the drums – with a brutal and, once again, excellently mixed sound. The guitarists also shine: Laura Christine has stepped in for founding member Jim Durkin, who passed away in 2023, and her technical proficiency, relentless riffing, and stage presence prove her to be the perfect replacement. Singer Ron Rinehart, meanwhile, delivers a powerful and voluminous performance, demonstrating in his stage banter that he also has the audience’s support. The band provides a masterclass in old-school thrash metal, but the crowd thins noticeably who, despite all the nostalgia. It was nice to see their performance was very impressive.
It was a great day today, saw the band play all day long, which all the bands are supported by the audience. now time relaxing, hang out with some friends before hi the band, save the énergy for tomorrow,
